Yikes! Poetry Too?
Although best known as a songwriter and lyricist, Tom is also a poet whose work has appeared in The Fiddlehead, Descant and several other poetry magazines. This page will feature some of his poems, old and new.
Frail as a cobweb Shakespeare and his cronies notwithstanding, a poem is a frail boat to send down the broad river of time; mostly you see it capsizing in the first two hundred metres, pounding itself to flotsam at the rapids. One in a million makes it through the delta, then, in the vast impartiality of ocean, vanishes utterly. One in ten million bobs for a while among the whitecaps within sight of shore, noticed and remarked on by a few, giving heart briefly, perhaps, to one or two. So if your poetry, your slender volume slides under the surface with no splash and is remembered only by you and maybe your mother or her ghost, you have this in common with most of the Sangha of poets --and, eventually, with all. Frail as a cobweb or a ziggurat, your poem is only an inbreath and an outbreath; at best a moment partly realized before it moves from the is to the is not. The dance you danced at your cousin’s wedding with that redhead you met for the first and last time; you had had a couple of drinks and your body felt an unaccustomed glory, and the eyes that met yours had a language, and your feet for once did not stumble, and afterward, that kiss in the darkened stairwell: that was a poem, and you never wrote it down, could no more write it down than fly. That moment also when your son relied on you, and you failed him, knowing too late no possible amends could purchase back that trust and make it whole: that was as much a poem as any of the Sonnets. The poem on the page is the second poem, the less important one. First, breathe in, breathe out, witness the snowflake on the raven’s wing, feel the barb of the fishhook as it enters your thumb. Be alive to these things. You will not live on in your verse. (c)Tom Lips January 11, 2021
2 Comments
I walk the burden of snow on the branches the sway of the spruce in the breeze the rippling note of the raven the silent communion of trees the footprint of fox in the clearing the squeak of the trail where I tread all thoughts of the town disappearing wild music within me instead the rosehips like red, shrunken jewels gray sky with illusions of blue the sun looming low on the mountain the world giving winter its due though I may set words to my walking there’s little a man can explain I soon walk away from the keyboard to walk in the forest again ©Tom Lips, November 21, 2020 Sudden fall One windy day and the yellow is stripped from the mountains:
Limbs that were radiant are skeletal tracings of grey. Aspens and birches, and even the willows and alders Squandered the gold of the season in one autumn gale. Spruces and pines are again the commanders of colour; Green once again has no rival in sun or in shade. Even the ground is forgetting the brightness of branches: Leaf-paven paths turning copper that once were of gold. (c) Tom Lips, October 1, 2020 Yesterday I made my first poetry mini-workshop video with the Artist in the School program (www.artistintheschool.ca) and videographers Marty O’Brian and Naomi Mark (www.midnightlight.ca). This was a first for me, and I had a great time. The AIS program is developing a series of short videos for use online by students who are not in the classroom on account of COVID-19. The idea is to present arts activities that students can do at home with available materials, to supplement online and in-person instruction. The maximum length of the video is 20 minutes, and the maximum shooting time is one hour. My proposal focused on poetry. It took me a while to narrow the focus to something that could be completed in 20 minutes; I settled on introducing students to the use of similes in the writing of poems. This seems like a tiny subject, but once I started to unpack it and translate it into a couple of doable activities, I found it was hard to keep it under 20 minutes. Another key challenge was to transform what I think of as an interactive process into a video (in which, of course, I can only imagine how students are receiving what I present). I have a good feeling about how it went, and I am looking forward to seeing the finished product next month. The culmination of the mini-workshop is to challenge the students to create a poem that will make extensive use of similes, “colour words,” “size words” and “feeling words,” using a simple prescribed pattern based on repetition with variation. The point is not to impose a rigid template, but to ensure that students have a starting place and a clear roadmap for completing the exercise successfully, regardless of their verbal sophistication. Colourful nonsense poems are the most likely result, but surprising things can happen if students can relax their self-critical minds and play with words and thoughts. Here is the sample poem that resulted for me: Dream Poem In my dream I saw a tiny house like a happy green pancake. In my dream I saw a yellow sadness like a huge, confused cat. In my dream I saw a large brown truck like a lonely bear. In my dream I saw a happy thought like a gigantic pink pudding. In my dream I saw a raven like a big, black, grumpy question mark. Summer Solstice
The sun comes up on Solstice day, The bright commander of the sky! He acts as if he means to stay, O’er the horizon riding high. For now we stand at summer’s height, And all before us we can mark The days of almost endless light, The nights that barely kiss the dark. The sun comes up on Solstice Day; His golden light he gladly spills Upon the river’s shining way, Upon the forest and the hills. And though my heart be slow to rise, And though I’ve kept my curtains drawn, I’ll heed the summons of the skies, I’ll learn the lesson of the dawn. I’ll praise the sun while he is here, But never with a grasping soul, Because the turning of the year Is not a thing I can control. I’ll celebrate the dance of light, And when the endless summer ends Into my home I’ll welcome night: The moon and stars will be my friends. By Tom Lips, ©June 2020 A Whitehorse Raven If I could be any bird, I’d be a Whitehorse raven, blessed with the heft of a hen, yet sleek when airborne playful as a human child, or sometimes ominous a portent of prophecy a black, dancing gracenote in the spare-boned symphony of sky. If I could be any bird, I’d be a Whitehorse raven, ruffling yet unruffled, shrugging off cold so deep it cracks the plastic parts of cars battling other birds for broken meats stuck to the sidewalk cocking at passersby an ancient, impertinent eye. © Tom Lips, January 2020 |
Details
AuthorI began writing something approximating verse when I was 11 years old, and I am still learning. Poetry, good or bad, arises from observation, experience, and the sheer love of playing with language. Archives
January 2021
Categories |
Tom Lips: Singer-Songwriter, Storyteller
www.tomlips.ca Copyright Tom Lips © 2020 All rights reserved. |
Contact Mylodon Music
|